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movies: avengers: oh captain

spuzz in morbid_girls

TIPS FOR ICONMAKING

LAST UPDATE: June 6th, 2009.

Image Selection-Cropping - Text - Coloring - Black and White
Textures and Patterns - Layers - Do Not Do These - Beginner Resources



IMAGE SELECTION


Image selection can make or break your icon. It’s very important to be aware of what makes a good cap or picture and what doesn’t.

You need to make sure that the picture is of a quality you can reasonably work with. Anything too grainy, pixilated or already overly saturated won’t work well if you are just starting out. Look for a smooth surface to your icon (thinking of it like a canvas), and look for a proper aspect ratio.

Do not know what an aspect ratio is? Well here’s a scenario: does your cap look slightly off? Is Sam Winchester’s face longer than it usually is? Slightly smushed? How about a lot smushed? That is your bad aspect ratio. Here are some guides to help you:

CNET’s Technical Guide
Aspect Ratio For Dummies (not you of course) by dtissagirl

Aspect Ratio can be scary and technically hard to understand but what it comes down to if it doesn’t look quite right, it probably isn’t and you should move on to another resource.

Another helpful tip is to find someone who already makes good icons and look at their resource list. Typically this will lead you to the good screencap resources for your fandom of choice.

CROPPING
bill</a nicole</a alicia</a


Some keys to cropping:

Techniques
Offsetting your image by cropping to the corners: like Frank Iero in this icon. See how Frank is situated in the corner of the icon? With all that blank (or "negative") space surrounding him? That is cropping to the corner. Another way to do this is to put the focus of a close crop at the corner, like in this Gerard icon.

Cropping dead center can make your image even more dramatic by utilizing negative space or by bringing the image to the immediate view of your eye: Kristen Bell is in bottom center leaving a ton of pink negative space. Another example using a closer crop is this Nicole Richie icon. Her face is in the middle but it's still a close crop.

Cropping closeup can help add freshness to oft icon-ed image. Don't be afraid to only show the nose, the hair, the mouth, the arm etc. of your subject: Frank's face is the immediate focus. All you can see this woman's chest and arms. A crop like this can add mood to an icon. Experiment with taking a larger picture and pasting it onto a 100x100 canvas and moving it around to see what is being framed and then resize if necessary.

Being aware of negative space is really important. Negative space refers to the empty areas of your canvas, places that the subject of your icon does not occupy. Moving the image around the canvas can help create negative space like in this Kristen Bell icon: In this Chris Pine icon everything surrounding him is the negative space and it "frames" him in the image.

Tutorials:
Using texture to fill negative space by iconseeyou
Doctor Who by limbslikewire (Good for negative space/placement)
Cropping Guide by driftedfar



TEXT
heart</a toboldlygo</a beauty</a


If you aren't comfortable with text, and it does take awhile, sometimes it helps to start with text brushes, which can show you how text can work together with a icon and some of the different ways to format your text: Like here in this John Cho icon. Or this Gerard Way icon.

Don't be afraid to make your text go off the page, or cut it in half or erase 3/4ths of it all together. The image is what's most important (unless it's a text only icon of course.), text is a plus. "Helm" is actually cut off but Star Trek fans can finish it automatically because they recognize the characters. Keeping the text relevant to the icon is what makes it readable and acceptable.

One word, two words, three words. Sometimes you don't need full paragraphs to get your point across.
12</a 10</a 11</a

Quotes make great text! If you're working with a movie or a tv show, try to think of relevant and interesting quotes from the scenes.
7</a 4</a 6</a

Lyrics are a great resource! What is you favorite band? Your favorite artist? A song you really love? How about a song that matches the mood of the icon? A sad song? A happy song? What about the title of the song?
1</a 2</a 3</a

For text only icons I recommend a brightly colored base with a lighter font and a light drop shadow to make it pop: Like in this Psych icon.

Where to find free fonts:
The site I prefer to use is Dafont.com.

Font Guide (my own):
Here. More of a Favorite Fonts.

Font guides I like:
Font guide (no icon examples) by neversince (A lot of handwriting fonts)
Font guide (with icon examples) by myrasis (A lot of clear easy to read fonts)
Font guide (no icon examples) by _excentric_ (A lot of grunge fonts)


COLORING
49</a 25</a 13</a


The best advice I can give for coloring is experiment. That's all it is. Try different settings on curves, mess around with different fill layers, try different settings on your brightness/contrast setting and set textures on different modes. When you find something you like save it as a PSD and use it on other icons/caps and see what happens.

Curves

Curves, for me, is all about experimentation. Figuring out what does what.
To explain some of the finer points of curves, I'll be giving you several examples of how a curves setting can change a picture. I'll be using this picture of Greta Salpeter.

1</a
Moving the circle upwards creates more light or brightness. This is at the very very top. Moving the circle to the top and left will make the picture whiter and whiter. Notice the gradients on the side and bottom, it shows you where you are going.

2</a
Dragging the circle to the bottom makes it darker. Going to the bottom and to the right, the picture will become more and more black.

3</a
This shows a more balanced setting for curves. Notice that it enhances the contrast of the image and adds some pop to the coloring. The full image.

Curves has different settings for different colors, Red, Green, Blue (+RGB, the combination of the colors.)

Using the blue as an example:
2</a
Pay attention to the gradients on the side, they're showing you where you're going. In this I went up and in the middle, creating a lot of blue light.

3</a
This time I went down, creating less blue, essentially taking the blue out of the image.

4</a
A balanced blue curve. The full image.

Color Balance

Color balance is another adjustment layer that can be quite helpful with experimentation. The different settings for this are: Cyan, Magenta, Yellow on one side; Red, Green, Blue on the other with a toggle in the middle that slides back and forth.

Example:
5</a
Color Balance is pretty self explanatory, going towards one side will create more of that particular color. In this case, this is full Cyan.

6</a
The other option with Color Balance is at the bottom. You have Shadows, Midtones, Highlights. This is an example of the setting on full Cyan and on Shadows, the previous was on Midtones which is the default setting.

7</a
This is the Color Balance setting on Highlights and full Cyan. As you can see, the setting focuses on light.

Color Fills

1. Like I've been saying with this whole section: EXPERIMENT EXPERIMENT EXPERIMENT. There is no set way to do this at all. There are ENDLESS ways to color an icon and endless colors to color an icon with.

2. Know your different settings.
7</a
Normal, Darken, Lighten, Hue, Hue (Legacy), Saturation, Saturation (Legacy), Color, Color (Legacy), Luminance, Luminance (Legacy), Multiply, Screen, Dissolve, Overlay, Hard Light, Soft Light, Difference, Dodge, Burn, Exclusion.

The settings I use the most are: Soft Light, Screen, Burn, Normal all at varying levels of opacity depending on the image and the hue.

3. Taking a picture of Frank Iero.

Filling a new raster layer with a light tan and then setting it to soft light:
8</a > 9</a
Notice how much it brightens up the icon. Screen will do this at a much higher level.

The same color but set on burn:
8</a > 10</a
Burn is great for adding contrast. Obviously it darkens the image quite a bit and should be used in conjunction with another lighter setting.

Two layers in conjunction with each other. A dark brown set on burn and a light tan set on soft light:
11</a
TADA!

4. Again this is just one brief example on how you can use just TWO of the settings and TWO colors. There are endless possibilities. There is no set or RIGHT way to color, it's all about experimenting and trying new things.

Tutorials:
Chris Pine and John Cho If you're interested in my own coloring methods, these are two examples on how I go about it.
Red icons by stars_scream
Stock Image (very vibrant coloring) by syncedaffairs


GRADIENTS/LIGHT TEXTURES
soccer</a gusandjustin</a red</a


A gradient (color flowing into another color(s), one color going from light to dark) can enhance the color of your icon, it can add color to your icon, it can create new moods to an image.

For icon makers just starting out, avoid gradients that have too many colors in them. Start with a two color gradient and move up from there. More than three will confuse your image and you'll get some ugly color combinations.

Unless you are going for a monochromatic look, avoid using too many gradients in the same hue range.

Light textures are a great way to add dramatic lighting or highlight something on your icon, like in this fashion icon. They can also add depth to textures in negative space: Like in this Joe Crede icon.

Light textures and gradients are also great for adding strong colors to an icon. Set on hard light (with varying levels of opacity), colorful gradients and light textures can add a variety of new hues to a black and white icon or a natural color icon.
1</a 2</a 3</a

Tutorials:
Tutorial by defaultsettings (Good use of light here, detailed process.)


BLACK AND WHITE
bones</a dean</a ruby</a


Making a black and white icon is more than just desaturating a image and calling it done. It's about adding or subtracting light to make or take away shadows and creating depth without color. It's an exercise in levels, brightness/contrast, curves and texture.

Try coloring your icon before desaturating it all together. It's a bit more work but it helps to get your image to a different place and can also help to show you what colors are influencing all the different levels in a black and white icon.
color</a > bandw</a

color2</a > bandw2</a

Lowering the contrast and brightening your icon can create an interesting look.
10</a 15</a

Alternatively you can up the contrast and lower the brightness which can create a very moody look. You can also make your icon very contrasted (curves is a great tool to aid you in this!)
12</a 13</a

Adding a dash of color can help really make your black and white image pop.
11</a 13</a

Adding blobs of light or light textures can also really help a black and white icon stand out.
16</a 16</a

Tutorials:
A good compilation of tutorials dealing with Black and White icons.
BSG icon by lucide_icons


TEXTURES AND PATTERNS
gerard</a ashlee</a lily</a


Textures do exactly they say on the box, it adds texture. You can use textures in whatever way you see fit.

Textures are great for overlaying or multiplying over a plain bit of negative space to give it more, wait for it, texture.
11</a 12</a 13</a

Textures are a great resource for coloring your icons. Set to multiply, burn, soft light or dodge and hard light (at a lower opacity) can add nice depth to your icon: 15</a 16</a 17</a

Recommended texture makers:
For an extended list see my resources page.

Looking for a community for good texture makers? Try freshmakers which has moderated membership and frequent posting.

Tutorials:
Texture Guide by virtuosities
Creating your own texture by distractiions


LAYERS


Keep track of your layers by clicking on them and titling them.

Merge as often as possible, as long as it won't affect your image.

Seems simple but: never, ever, ever work on the background. Always duplicate your base.

NEVER UNDER ANY CIRCUMSTANCES


Use a blurry unsaveable image. Sharpening too many times will cause lines to become ragged and harsh. Attempting to soften those lines will cause the image to become confused. Move on to finding a better quality image or drop the idea at all.

Use an image that is too small. You cannot make it larger in photoshop without it becoming pixelated. Take pictures that you can crop down or make smaller therefore not losing quality.

ALWAYS avoid filters as much as possible. Do not convert the image to charcoal, mosaic or any of the other filters in your program unless you have some idea of what you're doing.

BEGINNER RESOURCES


Looking for somewhere to start? Try these first:
icon_tutorial, good_tutorial, texturize (great FAQ)

Tutorials

John Sheppard in video format by blimey_icons (appears to have exceeded bandwidth, but the video is still useful and available.)
Creating space 1 and 2 by skiescancrack
Graphic Tutorials for beginners by bethyj_graphics


Other recommended tutorials can be found here.


I work with PSP but am also comfortable with PS. Almost all of the tutorials are either with PSP and are translatable or are PS tutorials but are translatable to PSP.

Feel free to ask questions. If you feel you have good advice to give to me or another commenter who has asked a question, feel free to jump in and do so. However please remember to be polite and kind to one another in my journal or you will be banned.

Feel free to recommend any tutorial you found helpful, whether general or specific. I'd love to see it!

All icons are made by me and are shareable with credit.

Comments

This guide is really awesome, especially the tips on coloring (cause you know I love your coloring style ;D) and b/w icons.
Thank you so much for this! :D
Thank you so much for these tips! Especially the one about using a dark blue gradient to get a muted look; I've been trying to get that kind of look to my icons for a while now, without any luck.

Do you know of a simple way to cut away backgrounds around a single person/object, using Photoshop (or specifically Photoshop Elements)? I can never seem to do it without the image looked ragged, and using the background eraser one pixel at a time is hell. Any tips would be loved and appreciated!
I would try your lasso tool (the one with the rope in it). It should cut away from your image by selecting around it.

Some links for you:
Jay Arraich's Photoshop Tips Gives a good overview of the tool and its uses.

Removing the Background at about.com is a nice comprehensive tutorial on how to use the tool.

Learn to use selection tools gives a nice overview on all the tools in the selection category.

When you use the selection tools, remember to use the "feathering" feature to smooth out your edges, that should help with the ragged look.

A lot of times simply smudging the background around will create a nice layered/textured look but won't give you the ability to copy and paste a cut out image so I would recommend the selection tools.

Hope that helps! Let me know if you have any other questions!
Thanks for the links! They're very helpful.
THE best thing ever! Memming, and coming back to read everything through. I'm always up for some tips ;)
Thanks for making this!

*hugs*
This is so helpful! Thanks a lot! mems*
I really like this ♥ I think it's an overall good resource, and I really appreciate the "tutorial" aspect of it without it being step-by-step instructions to the creation of a specific look (which can be hit or miss when you're making an icon and doesn't necessarily encourage variation/creativity). Thanks for this!
this is awesome! =)
Very helpful!
Thanks for sharing :)
Oh this is so useful and awesome. I love the cropping, text and coloring tips the most. Especially for the b/w icons, because I always adore your coloring on those (your coloring in general >:P). <3

So I'm definitely meming.
Thank you very much for writing this great guide. ♥
Very helpful and thorough. Well done! :)
this is awesome! and precisely when I was running out of ideas for iconmaking ^^. I'm going to add you to my resources if you don't mind. And your icons are great ;).
This is really amazing. Thanks for sharing!
It'll be very helpful :)
This is an incredible guide. Definitely memming, and thank you so much for posting this!
This is a great guide! Thanks.
Could I post it (or you) at improve_icons?. Thanks again.

Edited at 2008-01-27 01:59 am (UTC)
You can link to it, sure!
Thanks!.
This is so heavenly.
Words can't express the love i have for you right now xD
this is great mind if I link to this in the elite communities that I run?
Not at all, go ahead!
thanks! These are usually things I have to tell people to work on, sometimes all of them so it's great to be able to use this as a resource. :D
This is really great. Thank yoU!

Saving.
Wow, this is super awesome! It's very useful and helpful. Adding this to my bookmarks. Thank you!
Thanks for this! Very useful guide, and I picked out a couple of tips on bw icons and use of text :)
Thanks! Adding to mems. Awesome.
ALWAYS avoid filters as much as possible. Do not convert the image to charcoal, mosaic or any of the other filters in photoshop unless you have some idea of what you're doing.

That's strange, I use graphic pen all the time! I always duplicate the layers and blend them, though, a bit like a quick texture. Is this what you mean by some idea? XD
I'm going to reiterate before I say anything else that these are my personal preferences and things that have helped me become a better icon maker. If you're comfortable with filters and think they look good, that's awesome.

However that being said I tend to avoid filters because more often than not I don't feel comfortable with the way they manipulate the image. As an icon maker I feel that the image should speak for itself, it should be powerful enough to work on its own first and foremost before I do anything to it. Using a filter dramatically changes the image itself even after you've lowered the opacity and blended. I think in the size of the canvas that I'm given a filter tends to confuse the image too much.

I also don't think filters set out to do what the say. Often a charcoal pencil does not actually look like a charcoal pencil, or a colored pencil etc.

Even if just using them as a texture, I would tend to avoid it all together and go with user made textures and try those first until I understood filters and how they worked, how to use the settings and what they did if I ever wanted to go back to using them.

Does that make sense?
thank you very much, this is really useful!!
I love this! Thanks so much. Adding to mems!
This is a great comprehensive tutorial. Definitely adding to memories. :)
This is very helpful. Thank you so much for sharing it and making it available for everyone.
oh wow, thank you for including me in this :D
great guide!
awesome
+mems
thanks ^^
Thanks so much for making this tips tutorial! I'm totally meming this~
This post is awesome. Thanks!
These tips were wonderful! :D